It
was suggested before that taking a systemic functional approach to language
involves asking both how people use language, and how language is itself
structured for use. In beginning how people use language to achieve culturally
appropriate goals, trough the concept of genre. An authentic text can be used
to illustrate many of the principles of genre theory.
Native
speakers of (Australian) English can very quickly identify three key aspects of
this text. They are field, mode and tenor. First aspect is field. We can
rapidly identify the topic, what the text is about. We work out the field of
this text largely from the lexical items (a word which occurs in a very limited
number of contexts). Second aspect is mode. Mode is talking about the role
language is playing. Aspects of language used that indicate this mode to us
include the fact that we have only one speaker’s contributions. Third aspect is
tenor. Tenor is the interpersonal relationships between the interactants.
What
we have done so far is to describe the register
of the text. Register is describes the immediate situational context in which
the text was produced.
We
can suggest what the overall purpose or function of the interaction is – that
is, we can suggest what genre the
text belongs to.
Martin
offers two useful definitions of genre. First:
A
genre is staged, goal oriented, purposeful activity in which speakers engage as
members of our culture (1984:25).
Less technically:
Genres are how things
get done, when language is used to accomplish them (1985b:248).
Defining
genres in this way, we can see that there are as many different genres as there
are recognizable social activity types in our culture. There are:
Literary
genres : short stories, romantic novels, whodunnits, autobiographies, ballads,
sonnets, fables, tragedies, sitcoms.
Popular
written genres : instructional
manuals, newspaper articles, magazine reports, recipes,
Educational
genres : lectures, tutorials, report/ essay writing, leading seminars,
examinations,
text-book writing
A stage is
our cultural context which permits us to make sense of the text: to find a
social activity type in which the kinds of meanings realized here would have a
purpose.
Thus,
studying how people use language forces us to recognize, first, that linguistic
behavior is goal oriented (we can only make sense of talk if we assume it to be
purposeful); and, second, that linguistic behavior takes place within both a
situation and a culture, in relation ti which it can be evaluated as
appropriate or inappropriate.
There
are two different levels of context. They are context of situation is a context that described by describing the
register of the text. Context of culture,
a context that gave purpose and meaning to the fact that described by genre.
Schematic
structure represents the positive contribution genre makes to a text: a way of
getting from A to B in the way a given culture accomplishes whatever the genre
in question in functioning to do in that culture ( Martin, 1985b: 251).
Describing
the schematic structure of genres brings us two fundamental concepts in
linguistic analysis; they are constituency
that refers to a part/ whole relationship between elements of some whole,
and functional labeling.
Reference:
Eggins,
Suzzanne, 1994, An Introduction to
systemic Functional Lingustics.Printer Publisher Ltd. United Kingdom. P:
25-48
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